Make Studio works to create an inclusive, supportive space for adults with disabilities to explore their artistic talents and create their own work. The artists that attend Make Studio’s programming are able to experiment with diverse techniques and mediums alongside the studio’s staff. Additionally Make Studio’s artists are able to earn income through the sale of their art via Make Studio’s online shop where the artists receive 70% of the price of their sold work. Make Studio is striving for their artists to receive recognition for their art and talent by not only promoting the sale of their work but creating exhibit opportunities for their artists to share their creative works with the public. Through their exhibitions artists are able to not only display their talent but can help destigmatize how our society views individuals with disabilities.
Make Studio has a new exhibit coming up entitled Take A Look: Mine Ours Yours. The exhibit will run from September 9th-October 17th, 2013 at The Julio Fine Arts Gallery in the College Center of Loyola University, 4501 North Charles St. An Artists Talk and Reception will be held on Thursday September 12th from 5pm-7pm. For more information on the Exhibit and the featured artists, view the event flyer.
**If you would like to be featured as our Profile of the Week, go to artplusjustice.org and put yourself on the map!**
Bringing together the artwork of over 40 local and national artists is an exhibit to honor the 50th Anniversary of the March on Washington is “The Art of justice.” The exhibit is organized by Michael Anthony Brown, Toni George, and Greg Scott and features works from a range of different genres. The Art of Justice reflects the artists’ perspectives of the historical and current state of justice in the U.S, as well as the continuing fight for racial equality. The Art of Justice is striving to encourage a “new generation of social awareness” to shape future activism for social justice.
Organizers of the exhibit are currently raising funds for the exhibit to further expand in size and continue spreading its message by traveling nationally. The opening reception for The Art of Justice will be held on Friday, August 23, 2013 from 5-8pm at the Mount Rainier Artists Loft Gallery. There will be a pre-march celebration featuring performances by Ayanna Gregory from her play, “Daughter of the Struggle.” The gallery itself will be open daily from 12 noon to 7pm and the exhibit will run through Sunday, September 8th 2013.
For more information on the exhibit please visit theartofjustice.org
Amorous Ebony, is a homegrown Baltimore artist and a current theater major at Coppin State University. As a singer, songwriter, poet and actress, Ebony has combined her art and talent with her dedication to serving the community, working with youth, and spreading love.
Ebony is a youth cultural organizer for the Youth Resiliency Institute and aids in the coordination of the annual Youth Arts Harvest Festival.
Ebony has performed as a part of CrE3sol, Sunshine’s Models on Wheels, KIPP academy, and throughout Baltimore.
Check out Ebony’s Art+Justice profile!
**If you would like to be featured as our profile of the week just go to artplusjustice.org and put yourself on the map!**
Cycles: Women’s Health Project is a project lead by community artist Whitney Frazier that is focused on addressing women’s health concerns in East Baltimore neighborhoods. Frazier is collaborating with women and girls to create an illustrated resource book about women’s health topics. Cycles uses art and social justice to educate about women’s health concerns and the issues with the western medical system’s treatment of women’s health. Once the book has been created, the female participants of Cycles will distribute the book within their communities and host their own visual storytelling workshops addressing the books topics.
Additionally, Frazier has used public bathrooms as a research tool by posting drawings and written prompts to spark responses by those using the public bathrooms. These stories and concerns collected from public restrooms are added to the different ways that Frazier has been doing research and collecting the stories of women and girls in Baltimore. Cycle’s Tumblr also encourages anyone interested in participating in the Cycles Project to contact Whitney Frazier.
**If you would like to be highlighted in our Profile of the Week please visit artplusjustice.org and put yourself on the map!**
Mosno Al-Moseeki is an international singer/songwriter and a native of Sudan. Mosno uses his music to bring a positive image of Sudan to the United States, and a positive image of the U.S. to Sudan. Mosno’s music is a pentatonic blend of acoustic rock known as Desert Electric mixed with his own Arab-poetic lyrics.
He is currently working on a full length album entitled “Novella” which is in part inspired by his cultural migration. His song “System Down (#SudanRevolts)” caused his websites to be banned in his home country. Mosno donates the proceeds from the song to Girifna (we are fed up), a non-violent protest movement based in Sudan.
He will be performing at Artscape this weekend on Friday AND Saturday!
Friday July 19th, 2013 performance with Sahffi Lynne of goatfish for the Musicians of Mercy’s Conscious Cabaret at Falvey Hall at 5:30pm
Saturday July 20th, 2013 performance with Spyros as part of the Greek Nubian Collective performance at Falvey Hall at 7pm
**Want to be featured in our profile of the week? Go to artplusjustice.org and put yourself on the map!**
Greetings Baltimore Art + Justice Project supporters,
For anyone who may have taken the time to register for the BA+JP map over the past year, you may have wondered lately “what was all that for?” or perhaps “I remember signing up for that map… where is it?”
Well the answers to your questions are finally here. The Baltimore Art + Justice Map is live! Exciting right? The map (as is your profile if you were awesome and pre-registered) can be found at artplusjustice.org.
For anyone who attempted to register before and found the process confusing and may have not completed their profile, the website offers a new stream-lined registration that is, in fact, simple and fast.
While the website is live, we are still working on some tweeks and trying to polish it up in the next week. In the meantime, please check out the map and share it with friends who haven’t mapped themselves yet! Thanks again for your continued support of BA+JP!
Strong Art Strong Youth: A Convening is bringing together those in Baltimore interested and invested in access to arts programs for Baltimore youth. On Saturday, June 22nd from 9am-1pm artists, activists, community members, organizers–everyone–are encouraged to come and take part in a series of exhibits and conversations on the experiences and status of using “strong art” to build “strong youth” in Baltimore.
The day’s events are separated into hour-long segments and attendees are invited to attend all or part of the day (for a complete schedule see below). The convening will begin with an exhibit of youth and artist mentor artworks, including a gallery talk with those artists exhibiting their work. Following the exhibit there will be a presentation of the Strong Art Strong Youth Report findings by Fanon Hill and Peter Bruun. Kenneth Morrison, Sarah Tooley, Muse 360 Arts, and Unchained Talent will also highlight access to art for youth in the city as well as work currently being done by youth in Baltimore.
Using the report’s findings, Fanon Hill and Peter Bruun will also propose recommendations on bettering access and quality of youth art programs in Baltimore. Other youth arts-related initiatives such as Any Given Child, Arts Education in Maryland Schools Alliance, Turnaround Artists, and the Baltimore Art + Justice Project will also be featured, along with the work they are doing and how it relates to the recommendations. Finishing off the day there will be roundtable discussions for attendees to share their thoughts on the Strong Art Strong Youth report and recommendations over a free, light lunch.
The BA+JP Community Dialogues have shown that there is a strong need for continued conversations on topics relating to art and social justice in Baltimore City as well as the desire for building stronger networks and collaborating. The Strong Arts Strong Youth: A Convening is another opportunity for interested individuals and organizations in Baltimore to learn what is happening in the city, what is being done by others, and who might be seeking partners to collaborate with.
The convening is free and completely open to the public. Additionally, all those who attend will receive an abstract of the Strong Art Strong Youth Report and can receive the complete report by email after the event. There will also be a Youth Arts Resource Table for any related program material that you would like to bring and share at the event.
Where:James E. Lewis Museum of Art in the Carl J. Murphy Center for Fine Arts Morgan State University 2200 Argonne Drive, Baltimore MD 21251
Saturday, June 22nd, 2013
9:00-10:00AM Part I: Artist Mentors Have Impact: Art Exhibit and Gallery Talk
10:00-11:00AM Part II: Strong Art Strong Youth Report Presentation
11:15AM-12:15PM Part III: Youth Arts Ecosystem & Recommendations
12:15-1:00PM Roundtable Discussions
What would a permanent national monument to survivors of rape and abuse look like? That question is being placed in countless minds across the Baltimore/DC area and nationally now thanks to the members of the Baltimore based group FORCE: Upsetting Rape Culture. FORCE’s latest project is their largest to date.
The Monument Project is an installation aimed to not only draw attention to rape culture, but to create a space that honors and acknowledges those who have experienced rape and abuse without shaming them. The Monument Quilt, which is reminiscent of the AIDS Quilt and NAMES Project, will be created from the stories submitted by rape and abuse survivors as a large scale installation that will be displayed on the National Mall in the summer of 2014. Instead of taking on a rectangular shape, the Monument Quilt will be made into giant letters that will read “WE ARE HEARD. THIS IS NOT OUR FAULT. WE ARE NOT ALONE.” FORCE has described the quilt as a “GIANT Picnic Blanket” where they hope to engage people to stop, stay, rest, and discuss rape culture in a public forum.
FORCE is beginning to gain momentum for the campaign through the use of similar temporary installations. In February they floated giant styrofoam letters in the reflecting pool at the National Mall spelling out “I CAN’T FORGET WHAT HAPPENED BUT NO ONE ELSE REMEMBERS.”
With the recent public attention given to rape and abuse in the military, the work that FORCE is doing to not only deconstruct rape culture but to create spaces that support survivor healing is incredibly timely. The group has continued to get national attention recently for their other projects which have included projecting the words “Rape is Rape” on the US Capital Building last fall and for their “PINK loves CONSENT” website. Their work uses art to place the issue of rape culture in the forefront conversations and spark those dialogues that many are often uncomfortable having.
I f you would like to add your story to the Monument Quilt, you can email it to email@example.com with the subject “My story,” they also ask that you please include what color you would like your square to be.
The Monument Project is also a large project to take on and a Kickstarter has been created to fund the project. To give to the Monument Project please visit: http://www.kickstarter.com/projects/230742001/force-upsetting-rape-culture
The Baltimore Art + Justice Project’s latest community dialogue brought together local artists, activists, practitioners, community members, and organizers to discuss building (and maintaining) collaborative, working relationships between artists and non-profits. The dialogue was held in partnership with the Public Justice Center who were not only wonderful hosts but provided insight into their own experiences of bringing together the non-profit sector and artists in multiple successful ways.
Jennifer Pelton, Director of Development at PJC, described the work they do as focused on targeting the roots of poverty. Pelton described how the advocacy driven organization had used powerful images and photographs of real life situations in Baltimore, such as tenant evictions, to convey the importance of taking action on specific issues. In addition to photography, the organization has collaborated with the Megaphone Project multiple times on films and brought in performers for their anniversary benefit. Pelton described that art makes individuals feel compelled do get involved in political advocacy, bridging the gap between the two communities: “Art makes us talk about difficult topics and justice gives us a course of action for those topics.”
Elliot Rauh and Jessica Garrett from Single Carrot Theatre also described in detail their experiences bridging artistic and non-profit communities. The members from the socially engaged theatre company described working to grow outreach and education programs through the theatre. One program in particular they discussed was their annual reading of the “Murder Ink” column from Baltimore’s City Paper. Without any fanfare the SC Theatre company has read aloud the names from the previous years’ column with the intent to not only bring up those individuals’ names again and have them remembered as Garrett stated that “every human being deserves to be acknowledged when they die.” Single Carrot also hopes to create a conversation through the readings explained by Rauh, “theatre sparks dialogue.”
The challenges of bringing together artists and non-profits were addressed during the dialogue and many thought the difficulties often rest in understanding the different communities, cultures, and priorities. Some artists might feel that non-profits have not provided the room for creative possibility while non-profits feel that artists might not respect their responsibilities or priorities. It was clear, however that the desire for collaboration was high and the need for a coalition was strong. Continually individuals discussed how necessary it was to build off of the assets that each community can bring, and make sure that we continue to maintain open communication. It’s clear that there are artists and non-profits working on the same issues in Baltimore City that can make incredible work when they collaborate.
Keeping the dialogue going:
What makes for a successful non-profit/artist partnership?
What are your experiences?
What do you think?
On Friday May 24th an event is bringing together Baltimore artists, social activists, researchers, medical professionals, scientists, humanists, political representatives, and foundations to do some thinking. The Baltimore Think-A-Thon is an all day brainstorming event being held by the Dean of the College of Arts and Humanities at the University of Maryland, College Park and the University of Maryland Francis King Carey School of Law. Focusing on addressing both black infant mortality and rising AIDS/HIV rates in the city, along with other possible issues raised by participants, those in attendance will be coming together across occupations and communities to discuss past, present, and future ways to address these issues.
The Think-A-Thon comes out of recent studies that have found the collaboration between arts and science practitioners in problem solving can create innovative and effective interventions. The varying backgrounds of the thinkers involved from art to science, to politics encourages that they will bring different skills, perspectives, and thinking styles to the discussion. During the day artists will be working to create preliminary sketches of the ideas thought up by the group. The works created throughout the day will be used later in the “Baltimore Stories Project,” a larger community based project.
The intense day of problem solving, thinking and discussing will be taking place on Friday, May 24, 2013 from 9:00am-3:00pm and will be followed by a reception and a poster session. The Think-A-Thon is being held in the Westminster Hall, located at 519 W. Fayette Street, Baltimore, MD 21201
For more information and to register please visit http://www.arhu.umd.edu/thinkathon
The Baltimore Art + Justice Project
What’s the Word? Click to read!
- Artists Within Spotlight: Y-LLEAD – Healing the Self to Heal the Community
- Artists Within Spotlight: Single Carrot Theatre Arts Integration in an Uprising
- Baltimore Uprising Art Archive Series 4: North and Penn Visual Artists and More
- Baltimore Uprising Art Archive: Series 3 – Youth Voices
- Baltimore Uprising Art Archive: Series 2
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